Brilla Campaign

For the Brilla campaign, I shot tabletop with director Esther Padial at Finesse, and we went full high-speed on a Phantom Flex paired with Canon Cine Lenses to catch the kind of detail you can't see in real time. Tabletop work like this lives or dies on how you light and frame the micro-moments, so we built the setup to isolate texture and movement at frame rates that let every droplet, every surface catch feel deliberate. The Phantom gave us the latitude to push frame rates without losing the cinematic quality the brief demanded. It's the kind of shoot where the gear isn't showing off, it's just doing the job right, letting the product breathe on camera the way Esther envisioned it.